By Geraldine Brodie,Emma Cole
Translating for functionality is a tricky – and hotly contested – job.
Adapting Translation for the Stage provides a sustained discussion among students, actors, administrators, writers, and people operating throughout those obstacles, exploring universal subject matters and matters encountered while writing, staging, and gaining knowledge of translated works. it's organised into 4 components, each one reflecting on a theatrical style the place translation is often practised:
- The function of Translation in Rewriting Naturalist Theatre
- Adapting Classical Drama on the flip of the Twenty-First Century
- Translocating Political Activism in modern Theatre
- Modernist Narratives of Translation in Performance
A variety of case stories from the nationwide Theatre’s Medea to The Gate Theatre’s Dances of Death and Emily Mann’s The residence of Bernarda Alba shed new gentle at the artistic procedures inherent in translating for the theatre, destabilising the literal/performable binary to signify that edition and translation can – and do – coexist on level.
Chronicling the numerous attainable intersections among translation thought and perform, Adapting Translation for the Stage deals a different exploration of the strategies of translating, adapting, and moving paintings for the theatre.
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Extra info for Adapting Translation for the Stage (Routledge Advances in Theatre & Performance Studies)
Adapting Translation for the Stage (Routledge Advances in Theatre & Performance Studies) by Geraldine Brodie,Emma Cole